mai 15th, 2009
 for some inexplicable reason, Arbez has made the aesthetic decision to insert the audience’s reactions high in the mix. The end effect is similar to watching a sitcom with canned laughter; each subtle shift in the audience’s mood is so front and centre that you end up feeling like you’re being prompted to respond in kind. (And the less said about the weirdly incongrous football chants that pop up from time to time, the better.) 
pitchfork ‘bout vitalic’s v live
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